Which popular 1960s girl group had the #1 hits titled "Baby Love," "Where Did Our Love Go," and "Back In My Arms Again"?

The Supremes is the answer. The Motown Records girl group, featuring Diana Ross, Florence Ballard, and Mary Wilson in its classic 1960s lineup, became a defining Detroit pop-soul act through a run of mid-decade hits shaped by the Holland-Dozier-Holland songwriting and production team.

The Supremes and Motown

The Supremes were one of Motown Records’ most successful vocal groups during the 1960s. Their sound combined polished pop arrangements, Detroit soul rhythm, and smooth group harmonies built for both R&B and mainstream pop radio. That Motown style helped the group reach a broad audience during a major period of chart success.

The Hits Named in the Question

“Where Did Our Love Go” became a major breakthrough hit for The Supremes in 1964. “Baby Love” continued that momentum, giving the group another #1 pop success the same year. “Back in My Arms Again” followed as part of their run of Billboard Hot 100 chart-topping singles.

Diana Ross, Florence Ballard, and Mary Wilson

The classic Supremes lineup featured Diana Ross, Florence Ballard, and Mary Wilson. Ross often sang lead on the group’s biggest 1960s recordings, while Ballard and Wilson were central to the trio’s vocal blend and stage identity. Their three-person lineup became closely associated with Motown’s polished visual and musical presentation.

Holland-Dozier-Holland’s Songwriting Role

Holland-Dozier-Holland wrote and produced many of The Supremes’ major 1960s hits, including “Baby Love,” “Where Did Our Love Go,” and “Back in My Arms Again.” The team’s songs gave the group concise melodies, memorable hooks, and arrangements suited to Motown’s pop-soul crossover sound. Their work helped define the musical formula behind The Supremes’ strongest chart run.