| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
P
|
Pamela | 10 / 12 | 2:04 |
| 2 |
A
|
Augenio | 8 / 12 | 1:59 |
| 3 |
R
|
Richard | 8 / 12 | 3:25 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
M
|
Mjwfenster | 10 / 12 | 2:02 |
| 2 |
B
|
Bobby | 10 / 12 | 2:03 |
| 3 |
P
|
Pamela | 10 / 12 | 2:04 |
| 4 |
B
|
Bilvy | 10 / 12 | 4:20 |
| 5 |
C
|
Charlie | 9 / 12 | 3:04 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
L
|
Linda | 12 / 12 | 3:29 |
| 2 |
M
|
Mona | 12 / 12 | 14:07 |
| 3 |
G
|
Geno | 11 / 12 | 1:33 |
| 4 |
L
|
Les | 11 / 12 | 1:54 |
| 5 |
K
|
Khahn4 | 11 / 12 | 3:21 |
The questions move through 1960s harmony arrangements, bright lead vocals, West Coast youth imagery, a borrowed rock-and-roll melody, hot-rod lyrics, first chart-topping success, bass-vocal openings, unusual studio textures, family connections, real wave-riding ties, and later lineup changes.